In order to travel through time, you would have to harness the power of a star. But you involuntarily move through this dimension every day. You may regard the past as cemented, but it is always changing. If you have a lot of work to do, you might reminisce about being in grade school and think back to when you took time for granted. If you revisit the same moment on a different day, you might instead be drawn to the shortcomings of its simplicity. Your memory will always refine particular moments and blur others, and the combinations of alterations are as infinite as the parallel universes that exist in theoretical physics. The past’s fluidity is memory’s only constant.
Posted in NJFP, Zoe | Tagged "Zoe Pollak", Berkeley, California, Memory Paths, new jewish filmmaking project, NJFP, San Francisco, San Francisco Jewish Film Festival, SFJFF, Zoe's Time Machine | Leave a Comment »
Thanks so much for your comment last week, and to continue on that thread,
What is the emotional significance to you of that street in Jerusalem? Do you have any specific memories that hold a special place relating to this location?
I think the places that we remember the most often have one or more stories attached to them, as I am finding in my interviews with my family members. I would love to hear any stories you might have!
-Samantha Abernathey
Posted in Samantha | Tagged jeremy dauber, Jerusalem, memories, question, streets | Leave a Comment »
Dear Jeremy,
Thank you for your suggestions for last post’s questions. I looked up both books on Amazon, where I was allowed to read the first two pages or so of each. Reading them side by side, it was interesting to compare the author’s relationship with his subject: while Heschel starts off with the personal and (at least I’m assuming) then ventures on to the more collective, Yerushalmi starts by talking about memory in very broad terms- Jewish history and “Jewish past.” Both works helped me in looking at my own project, because I’m combining the personal and the ethereal (as Sam said) to present my “thesis” about memory and the past: I’m using home videos and my own writing, but I’m also using videos of natural processes, old music, and the writings of others (many of them happen to be Jewish) to offer different views of time and memory.
So my follow-up-question is: do you know of any other Jewish scholars, historians, or professors who have tackled large topics such as history, the past, memory, and time using a personal lens as either a starting point to ground his/her audience or to establish conceits and draw parallels?
Thanks!
Posted in NJFP, Zoe | Tagged "Zoe Pollak", abraham joshua heschel, Berkeley, California, jeremy dauber, new jewish filmmaking project, NJFP, San Francisco, San Francisco Jewish Film Festival, SFJFF, the sabbath, yosef hayim yerushalmi, zakhor | Leave a Comment »
HEY JEREMY! I’M MAYANA! SAM TOLD ME YOU COULD HELP WITH MY PROJECT! You seem very resourceful and nice and I could use some of your wisdom right now if you have the time…
Excerpt from my blog:
Andy Bonapart. He was one incredibly inspiring human being. Touching the lives of hundreds around him while he still here with us, and continues touch others and myself with his unforgettable persona, wise words, and a beautiful idea on how to live the life you have while you still have it. What I decided to do my half remembered story about, was this man, the uncle that I never knew yet has probably had the largest impact and inspiration on my life than any one I have ever known, without even knowing him.
After looking at the relationship that I seem to have developed with my uncle over and over again, besides all the other things we share, I feel that Israel and our Judaism pops out to me in particular. I understand that there are many stories in the bible relating to loss, brotherhood, family, and Israel playing a large part in Zionists or non Zionist relationships. Do you see any symbolic stories or references that I could possibly use to portray these relationship that have risen in my project?
Posted in Mayana | 1 Comment »
Craning back my neck to a time somehow faded into the distance, I feel I have lost familiarity. It was so recent—my grandmother lived and we could still set down our bags on her cold red-and-white tiled floor, traipsing through the vast
wooden house that distinctly smelt of musky cedar and books. I remember chocolate-covered coffee beans (always saved for my cousin and me in large glass jars that required effort to open). Her house has since been sold and demolished, and I spurn to visit the bare site of where it stood.
I remember Susi’s feeling, her floating softness and thoughtfully formed words; crooked toes and fingers; her quiet smile through which each of her son’s faces showed. It seems we have lost everything of my grandparents, and so suddenly. What I keep of her is memory not yet explored—through her journals and her kept books from childhood; her “inner presence still waits to be released. Much of my perception and knowledge of her has been influenced through my father’s makeup and closeness to her. My own connection to her I think, has strengthened after her death. I feel now that when my grandmother was living I did not know her as a person. I knew her as a protecting and nurturing woman, an ice cream-offering and paper-editing grandmother, who enjoyed the nature of her immense garden and whose body was slowly deteriorating.
One theory of my father’s, out of his million theories, evolves around the deep emotion—incited in the 1930s and ‘40s—that is passed from generation to generation of Jews, brewing in a fear and anger kept below the skin.
By beginning with my father and close family, examining from inward to out, I will explore my grandmother to understand what I am made up of. My father says that at times he felt Susi’s submerged rage or uneasiness, and from bursts or motivations within his mother, it edged into his life. I have yet to unearth its effects on me, and discover if what my dad feels connects each generation exists.
My uncles and father, the four Martin Boys, compose in such varied ways each aspect of my grandparents. Without my grandparents to bind our family together, the familiar feeling of family perceived by a nine year-old remains as it is, without expanding; though family events are comfortable and I watch the adults laugh with each other in an old-buddy way, this bond of feeling had been established under our grandparents. It feels somewhat forced, our fun, as if it is an extension of what once was rather than an unfolding experience.
(In this photo my dad is second to the left.)
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Andy Bonapart. He was one incredibly inspiring human being. Touching the lives of hundreds around him while he still here with us, and continues touch others and myself with his unforgettable persona, wise words, and a beautiful idea on how to live the life you have while you still have it. What I decided to do my half remembered story about, was this man, the uncle that I never knew yet has probably had the largest impact and inspiration on my life than any one I have ever known, without even knowing him.
I started with his post Berkley graduation, in 1982 in Fiji. His friend Phil went with him in the beginning and by the time they went down to Australia Phil decides to stay while Andy treks on to New Zealand. He had a lot of fun in New Zealand especially because he was now a lone traveler, meeting all kinds of people, staying on farms, working for his shelter. He later moves to Thailand and than Nepal where he begins thoroughly documented his travels by recorder and staying in beautiful places in Kat Mandu. He talks about staying in a tea shop, lists 10 minutes of recordings of all the people he has met, their addresses, where they let him stay, the people in the tea shops to the homosexual couples apartments. On his last trek of his journey he hikes Mt. Everest, alone. His recordings are amazing, descriptions of staying at Everest base camp (19000 ft elevation), the glaciers, and his moments of clarity where he breaks down sobbing thanking my grandma and grandpa for bringing him into this world.
Listening to these recordings, hearing the stories from countless cousins, relatives, and friends about the outgoing excited knowledge hungry man he was has been an absolute delight to listen to. Knowing that this amount of respect and attention I am giving my uncle that I have never even met just from hearing about his journey and his life is completely mind boggling to comprehend just how much I would love him if I had actually had the chance to meet him as well.
My love for running, and for carrying an intellectually stimulating conversation, for being outdoors, for clearing and centering my mind and for clearing it of unnecessary clutter, my passion for traveling, for constantly seeking for more questions and answers, the passion I have for people around me, and my unusually extroverted persona, have all been traits I have picked up on and grown on over the years, and traits that I am particularly inspired to keep be proud of and excel on thanks to my uncle Andy.
Self Interview Questions:
Why do you want to escape from suburbia?
What did Andy mean to you?
Why does he inspire you?
Why do you want to travel so much?
In your own eyes who was Andy?
What is the shed?
Why is it important?
How did i come to live there?
What are some of your ambitions you have, was the shed one of them? How is it helping you?
Does a lot of your anxiety come from your strong desire to detach yourself from your family?
How much influence do you think Andy has had over you and how you want to live your life?
Do you think the connection you feel with Andy is something that only you notice or do you think that your dad sees the similarities you feel you have with him?
Are you going to follow in Andy’s footsteps and chase your dream to travel the world, where do you want to be in 10 years?
Is part of your strong desire to see the world underlined with anger toward where you are now?
Do you think the technology-influenced generation we live in now is holding you back in a way that Andy didn’t have to experience?
Does the addiction to cell phones, computers, and technology in general hold you back from your maximum potential? Do you think the addictions holding other people, back as well?
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When the viewer first enters the Memory Paths (Zoe’s Time Machine) website, a typed introduction will appear for them to read. This introduction will establish the context for the interactive clock and its memory pods. Here’s a draft for my intro. Any feedback would be great.
Memory Paths
Currently, physics does not allow for time travel to the past or future. In order to visit your ancestors or travel to the year 2020, scientists would have to harness the power of a star and you would have to travel faster than the speed of light. And even if time machines did exist, you would not be able to travel farther back in time than the point of their creation. But you travel back in time every day, and not solely by remembering an event that occurred a long time ago. This time travel is involuntary.
Perhaps when you think of your childhood, nostalgia distorts the positive aspects of your youth and dims the more difficult memories. If you have a lot of work to do on a given day, you might reminisce about being in grade school and think back to when you took time for granted. On a rewarding day, you may revisit that same time in the past, but will instead focus on the fact that your outlook was not mature enough to appreciate what has brought you satisfaction today.
While your past is often regarded as theoretically cemented, it changes every day – its fluidity is the only constant. Memory will always refine particular moments and blur others, but the combination of alterations is as infinite as the parallel universes that exist in theoretical physics. And because by the end of tomorrow evening you will have garnered several more new memories, your memory’s collection of refractions only increases.
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Posted in NJFP, Zoe | Tagged "Zoe Pollak", Berkeley, California, Memory Paths, new jewish filmmaking project, NJFP, San Francisco, San Francisco Jewish Film Festival, SFJFF, Zoe's Time Machine | Leave a Comment »

I’m Starting to edit my old posts for the final project. If you have any comments about how I can improve them I’d love to hear it!
Since my grandmother Susi’s passing four years ago, my parents and I have been digging up articles of her past — journals, newspaper clippings, photos, wallets. They’ve all been well-used and each bear the delectable feel of a cherished hidden item unveiled at last; smelling of old wood, dusty and wrinkled in their own way; utilized by someone whose body was once fresh and young. Written in these journals are scenes of the war, poems, letters, stories—and having heard of these in obscure snatches from my father and others, they are strange to see in reality. I must stretch my imagination as I read the handwriting that is so different from what I have ever seen. It feels there is a block between me and her stories (in large part because most are written in German, which I cannot read or quite comprehend my grandmother living with).

In the process of this discovery-project I hope to extinguish what I can of that wall. When I was younger I never indulged in babysit-days at my grandparent’s house (they were frail in their old age), and rarely visited them, which I regret tremendously. But through this, perhaps I can become closer to her as a Jewish woman and as a girl my age in an environment so far removed.

My grandmother Susi (my father’s mother) was born in 1923, peace time. Several years before, her
“Uncle Paul” — known then to Susi as her parents’ close friend — had come home from the war. A prisoner of war, Paul had wandered free when the revolution pulled Russia from the war. He was deeply in love with Mitzi Stiassni, Susi’s mother. But because he was not Jewish and because he was a soldier, an officer, he was not considered a suitable match. After traveling by foot a thousand miles, selling his gold dental work to return to his halted life, he found Mitzi married. Nevertheless, they resumed their romance and continued it many years into Susi’s childhood, leaving her factually ignorant until she discovered it in her 60’s….
Posted in Yenny | Leave a Comment »
-Find image of clock for webpage interface
-Write intro for project (description of project that provides context for the viewer)
-Finish writing for all memory pods
-Finalize music list
-Finish recording quotations
-Find footage of time-lapsed flowers, stars
-Think of settings for new footage to shoot
-Export DVD material to computer so that I can edit it
Posted in NJFP, Zoe | Tagged "Zoe Pollak", Berkeley, California, Memory Paths, new jewish filmmaking project, NJFP, San Francisco, San Francisco Jewish Film Festival, SFJFF, Zoe's Time Machine | Leave a Comment »
This gloomy Monday night, I happened across something amazing: Creative Commons search engine through Flickr.
For those of you who don’t know, Flickr is a photo sharing website where people can post basically any snapshot, blog picture or photograph that they want. Now, as I am gathering photographs for my final look into the streets of San Francisco, this search engine is essentially my new best friend. I can look through thousands of San Francisco photos that the owners have given full permission to use! To commemorate this momentous occasion, I decided to post a few of my favorite findings.

San Francisco circa 1950

Upper Fillmore St.

Pacific Heights Victorians
And my personal favorite…
-Note: These have all been edited by me. :] –>Samantha Abernathey
Posted in NJFP | 3 Comments »
Hey Jeremy!
My question, and its a rather long one that could have an enormous answer, is:
What role did Rabbis play in Jewish communities of turn of the 20th century New York?
My project revolves around the struggles my great-great-grandfather had with religion, and as he was an ordained Rabbi in New York at this time, I feel that in order to fully understand him, I have to understand where he was placed in society.
Posted in NJFP | 1 Comment »
I’m curious about the “qualifications” of being Jewish. I have always thought of myself as Jewish but I know very little about Jewish culture. I don’t celebrate the religion. I feel strange being the end of Jewishness in my family — my grandmother identified strongly as a Jew and my father less so, but is still quite connected to it. It turns out, because my grandmother’s blood father wasn’t Jewish, I’m only an eighth Jewish, barely at all. It’s funny to think about… my grandmother fled the Holocaust and left journals and stories about it. It had a huge effect on our family.
I know people have really different ideas about what makes them Jewish. Is the definition still that your mother has to be Jewish?
Posted in NJFP, Yenny | 2 Comments »
I ask Jeremy:
My story is about my Grandfather, a gambling addict, married at 17, a father 18, he spent all his time hiding from his family, had a heart attack at 38, and finally went into recovery in the mid 70’s. At my Bar Mitzvah, he encourage me to be a “mensh”, and in his Gambler’s Anonymous speech in 1992, he said he himself was a mensh. So…
1.What is the meaning of the word “mensh”?
2.What did that concept mean to the people who believed in it, then and now?
3.How does it affect a situation where someone who has sinned comes out of a bad behavior and becomes someone who can face themselves?
4.Can mensh-ness be earned? Can it ONLY be earned?
5.From a society standpoint, does being a mensh define our life values?
6.If so, how does Jewish culture perceive and value a mensh? The Jewish version of Maslow’s pyramid, is that the best?
????
Posted in Jason, NJFP | Tagged Gambling, Grandpa, Jason Zavaleta, new jewish filmmaking project, NJFP, San Francisco Jewish Film Festival, Steven Speilberg | 2 Comments »
While I have been unfortunately bogged down with a heck of a cold this past week, I have been thinking a bit about where to take my project.
My main question for viewers and Jeremy is:
What locations or streets do you or your family have clear ties to?
Because essentially, that is the basis for my project. San Francisco is an amazing city, but not only is it a wonderful place, but it is deeply embedded into both my culture and my family’s past, present and (hopefully) future. I think that every family and every person out there has those ties somewhere, even if they do not realize it themselves. Home is indeed where the heart is, but who says you can only have one home?
By: Samantha Abernathey
Posted in NJFP, Samantha | Tagged connections, culture, family, Home sweet home, NJFP, question, San Francisco, streets | 2 Comments »
In response to Thursday’s session, I came up with a couple of questions relating to my theme and Jewish culture/history:
-What different notions of time were held among Jewish physicists such as Einstein and Feynman?
-Are there any portions in the Torah that discuss memory and time in relation to one another?
Posted in NJFP, Zoe | Tagged "time travel", "Zoe Pollak", Albert Einstein, Jewish history, Jewish physicists, new jewish filmmaking project, NJFP, physics, Richard Feynman, San Francisco Jewish Film Festival, SFJFF, Torah | 1 Comment »
Here’s a new website I found: www.wordblast.blogspost.com. My aunt told me about it, as it is her blogspot (she shares it with a friend). She and her friend are both playwrights, and they decided that they would “tell part of a story and then say “and then…” and pass it on to the next person” with a play. “What would happen if two writers e-mailed each other maybe a line (instead of a word!) at at time? What if you had to write a line a day and only gave yourself five minutes to do it? Or maybe assume one character in a two person play, and write their response to the previous line of dialogue (or action, as the case may be)?”
So the two playwrights started writing a play, blog entry by blog entry. I am posting this website here because the website that I am working on is going to be interactive, and while “wordblast” isn’t interactive like my website will be, it is in the sense that two people are creating a piece of art together without a set path. Like my “time machine,” my aunt and her friend do not have a pre-determined destination or linear storyline.
Posted in NJFP, Zoe | Tagged Berkeley, California, E. Hunter Spreen, New Jewish Filmmaking Projectg, NJFP, Oregon, playwright, Portland, San Francisco, San Francisco Jewish Film Festival, SFJFF, Susan Faust, Word Blast | Leave a Comment »
For the final display of this project I’m making a 3-minute film. This is its narration so far:
As I grow, death seems to push its way into the light, cropping up more often: The death of elders who were the base and tone of the family changed my perception and environment. Change led to a loss of solidity: it’s hard to find a grip in a changing environment as I myself change—it seems, now, all roots are flushed away. I did not have a well-formed view of my grandparents—I was young, or I was not able to consciously form a strong tie. But maybe the simplest feelings are most genuine and maybe the unconscious connection that perhaps existed more than I can guess, was most natural. I am trying to again glimpse into their lives, to understand them. I want to know how I was made, to uncover the blur that expands boundlessly behind and in front of me.
My memories of my grandparents, Susi and Leonard, are peaceful, connected with the festive, the familiar—the openness of their home. They sat around talking, near the French doors of the living room or out on the rough glass tables. Susi would push her way behind her walker, which was padded with tennis balls on the leg bottoms. It’s funny how I mix her images —the image of her swimming freestyle in her pool, in a black cap and old-fashioned bathing suit, with the one of her in the dining room offering ice cream, much frailer and much slower. Somehow I view the two with no distinction of time. With Leonard I remember his red face and square gate. I wonder if my picture of him is also through the eyes of a very little girl, for looking at his later photos, he was hunched in the upper back and his face much more aged.
As a small person roaming a tall-ceilinged and spacious house, I seemed to be focused on its lower regions: I would observe the floor, tiled with wide clay hexagons. The dining table was eye-height and when I moved around the room past Susi’s portable heating tray and past the Mexican sculpture upon the counter, I remember, at the head of the table, seeing the back of Leonard’s head with fine and smooth white hair, so purely white. It would be neatly combed and parted against reddened ears and neck.
After Leonard’s death, I remember lunches at that dining room table. We would stop by briefly and Susi would offer me chocolate ice cream or fruit. I don’t know why these times seem more often now than they probably were, but every time going there, I was anxious to leave—because of homework probably. I would stare at the foggy yellow bulbs on the dining room ceiling, which, in rows, mirrored the length of the table.
This table, now, is at the house we are moving into. It looks much smaller there. This house, very modern and very clean, is much different from Susi’s, or the house I grew up in, different from anything familiar. Spaces, family and traditions seem to haze in the background as we move from the past.
In a delicate world origins are easily forgotten, but I am trying to grasp what I had not collected in the first place, and to fill in the quick-in-passing, the gap within growth. Since my grandmother’s death we have found boxes and boxes of journals and letters, albums and stories— belongings with the mark that lasts for all time. It is so rich in there. Susi and Leonard established our family’s connection. Their own connection was deep: underneath open conflicts was a bond that harnessed them together into old age.
Posted in Yenny | Tagged Change, narration, New Jewish Filmaking Project, NJFP, Yenny Martin | 3 Comments »
My plan for this week was to post the titles and short introductions to my “podcasts” but as of my meeting with Jeremiah and Sam today, I need to revise one of them. As such, here are the rough drafts of two of them.
For my first podcast (Introduction of Solomon)
Spark/Struggle
(Religion and Disbelief)(The Overarching Need to Do Good)
For my last podcast
Impact
(A Seperation From What Was Known)
I hope to have a revised third title and the interview questions to my grandfathers follow up and my mothers tomorrow.
Posted in NJFP | Tagged Alex Pollak, Impact, Intros, New Jewish Filmaking Project, NJFP, Religion, Solomon Lowenstein, Spark, Struggle, Titles | 1 Comment »
After meeting with Sophie, Emma, and Julie last Thursday, my project changed once again. For the span of about five days, I was sure I was going to create a single-channel film, but after Thursday we have decided to go back to the interactive website idea. However, this new website will be very different from the previous idea; this new idea presents the viewer with a clock, and in each number, a “memory pod.” Each memory pod is composed of a visual and an audio piece. The viewer gets to choose what audio piece they want to hear while watching the video, which is the interactive part of the piece. So for example, the number 7 on the clock might be an old family video, and the viewer gets to choose whether they want to play a quote or a piece of music against the visual. Some of the audio pieces will repeat from number to number in the hope that the viewer will “accidentally” choose the same piece of music twice, but for different visuals. I want this repetition to allow the viewer to experience different emotions around the same audio clip, which draws off of the previous interactive webpage idea- my interest in the five sense’s influence over memory and how one particular sense can govern a person’s emotional attachment to a specific time in the past. Each time the viewer selects a new number, the webpage will refresh so that the clock’s numbers are jumbled. The clock’s numbers will only be in order at the beginning, because I want the interface to reflect my theme: the interpretation of the past is continually changing based on current experiences.
Posted in NJFP, Zoe | Tagged "second update", "Zoe Pollak", Berkeley, California, interactive website, memory pods, new jewish filmmaking project, NJFP, San Francisco, San Francisco Jewish Film Festival, SFJFF | Leave a Comment »
Interviewing my dad; wow, well that was an experience. He was my first interview I had every done as well as a family member! It was exciting as well as a bit nerve racking…especially for the reasoning behind the interview. I asked him a bunch of heart hitting questions, I wasn’t even quite sure he was ready for. But we worked up to it and I think I got what I usually get, and what I expected. Instead of bringing out some nostalgic heart squeezing intense emotions, I got a few more exciting stories about Andy, some more background on my dad’s life, and a full on father to daughter lecture on how to go about life safely. I mean what did I expect? I gave my dad a perfect opening for a chance to counsel me and try and give me his words of wisdom when I was completely all ears.
Although that it went well, even though there were still a lot of unanswered questions, the funny thing about the interview was feelings came up for ME that I never thought would be brought up, or even have. During my dad’s speil he said some words to me that really hit me in a place I had never addressed. I guess he noticed a shift in my emotions or something because after the interview he asked me about how I was feeling. I wasn’t really able to describe what I wanted to say, the words wrung my throat like a dishtowel. In trying to explain to him what was going through my mind tears began to swell up inside me like a water balloon and his hug just stuck the tack right in the water balloon and a whole other feeling emerged. He said some words to me that I won’t forget for a long time while trying to explain the protectiveness his brother’s death might have instilled in him as a dad:
“Mayana, you are so busy growing up, running around, trying to get everything done all the time, that you never let yourself stop and smell the daises.”
As corny as it sounds it just made me realize the insanely amount I love my dad.
Posted in Mayana, NJFP | 1 Comment »
My sister sent from London another of Susi’s writings, from her personal journal. This was upon the same subject—of her mother, Paul and Alfred. Susi says how she remembers coming across the second journal: it was some time after Alfred’s death and Leonard, returning from a visit in Los Angeles with Mitzi, brought it to her. Thinking it was her mother’s she put it away. Mitzi’s journal excludes any mention of Paul, and Susi writes, “I don’t know how she could have left him out of it in this cruel way. Who was she lying to? Me, an unborn child?” Paul’s journal describes Mitzi with affection, and about one of the book’s parts Susi says, “Throughout the whole story runs a pathetic refrain concerning her life in Brno from which he was excluded.”
Impressions that last after death—that can be re-adopted in cycles and by future generations—can be so easily sculpted. Here, so much is left out; Mitzi’s journal covers nothing of her child’s father, and she presents her daughter with slanted information. What the combined journals leave is confusing, with the content Mitzi chose to bequeath. I suppose it would have played much differently if Susi had read Paul’s journal when Mitzi was still alive. But as it was, there was no dialogue beyond her written pages. Susi herself chose to leave her family with much to understand her with—insights into her thoughts that perhaps none of us had known. What she does not display remains with her, private.
Posted in Yenny | Tagged display, exclude, final representation, impressions, journals, london, New Jewish Filmaking Project, NJFP, Yenny Martin | Leave a Comment »
Last Thursday we spent almost an hour talking about my project, and I got fantastic feedback. This weekend I considered everyone’s suggestions, and have decided to change my project from an interactive website to more of a viewer-sit-back-and-watch type of layout. I’m now leaning toward a short film that will contain every element of the website, just in film-form. The content will be the same, still focused on time travel and memory, but rather than actually asking the viewer a series of questions in the hopes of generating their memories, I will present them with my memories and talk about my relationship with those memories, and the previously explicit questions will be implicit. If anyone has any suggestions for how to implement that interactive aspect into the project (which I’d like to keep in some form or another), that would be great, and I will post a more solidified update next week after my meeting with Emma, Sophie, and Julie (coach/mentor) on Wednesday. Thanks again for all the great feedback!
Posted in NJFP, Zoe | Tagged "Zoe Pollak", Berkeley, California, new jewish filmmaking project, NJFP, project update, San Francisco, San Francisco Jewish Film Festival, SFJFF, Zoe's Time Machine | Leave a Comment »
This past weekend, I interviewed my mother Denise. This was the first of five interviews about my Grandfather’s life; about being a gambling addict, going through recovery, and finally living the end of his life as a “mensh”.
My mother spoke about how she felt isolated from him when she was a child:
When it came to the end of the interview, and a few tears had been shed, I asked her is there’s anything else she’d like to say about her dad:
To Be Continued…
Posted in Jason, NJFP | Tagged Denise Zavaleta, family, Grandpa, Jason Zavaleta, Love, new jewish filmmaking project, NJFP, San Francsico, Steven Spielberg, Walnut Creek | 1 Comment »
The challenge- Explain what the Time Machine is succinctly.
So here’s my (feeble?) attempt at being concise:
In my interactive website (“Time Machine”) I will transport the participant to the past by conjuring up his/her memories from memories of my own. The “Time Machine” will ask the participant questions about his/her view of the past and whether he/she believes the past to be cemented or malleable. The “Time Machine” will divide memories into different aspects governed by different senses in order to suggest that current experiences shape our relationship to older memories. Through the “Time Machine,” I will use open-ended questions to argue that by just living in the present, we ultimately travel back in time and alter the past; what we experience in the present and anticipate about the future alters the way we perceive our past. Thus, the past is not static; each day we create a different version, continually re-shaped by an accumulation of everyday experiences.
Posted in NJFP, Zoe | Tagged "time travel", Berkeley, California, interactive website, memories alter the past, new jewish filmmaking project, NJFP, objective past, San Francisco Jewish Film Festival, SFJFF, Zoe's Time Machine | 3 Comments »
Yesterday, rummaging through yet another box of photographs and books, my dad came across Mitzi’s journal—the counterpart to a thin, red-bound book of Uncle Paul’s. Both were written in German, but a section of Uncle Paul’s had been long translated by Susi and filed away in her drawers. It was a story called “Spacek,” of a tiny twirling dwarf made of wood. It was written for Susi still resting in the womb, to a daughter who would not realize their blood connection until many years into adulthood. Uncle Paul’s Spacek spins in arches across town, fleeing from his ferocious wife. My father very much appreciates “Spacek” because it reminds him of his own inch-high dwarf drawings.
Posted in Yenny | Tagged dwarf, German, new jewish filmmaking project, NJFP, spacek, uncle paul, Yenny Martin | Leave a Comment »
So after hearing about “transcribing” things, honestly it sounded like a complete bore. But while I was doing my first transcription on Andy’s tape recordings from his travels, I have never been more entranced! Listening to his voice was one of the coolest most psychedelic experiences, on the whole hour CD I couldn’t get past more than 12 minutes because I had to pause it every few minutes and quote something! Everything he was saying I could relate to so much. Listening to him jump from one topic to the next with such ease, made me go through a series of emotions, getting this unusual almost nostalgic feeling. I couldn’t help but chuckle at so many parts about standing out as a “white tourist” or talking about Mill Valley like he was sitting right next to me kvetching about the same things I do!
Here are some of my favorite quotes from Andy so far:
6:49 minutes in, “I’ve been cruising a bicycle for the last few days and its fun getting right in the thick of the quagmire, the miasma, the congested flair of Kathmandu.”
Reading this sent me into my own daze of my love for my beautiful green Peugot bicycle. Reminicing the dreamy bike rides I’ve had around towns, through hordes of people, and got me pondering about my own future cobblestone bike rides through rural foreign towns.
10:33 minutes in, “The old crowd of Mill Vallians, the IJI people, Berkley contents, Biet people Hillel people, Zionest people, Kol Shofar people, Democratic context people, work people, etc.”
The way he calls people “Mill Vallians” pretty much sums up our town to this day.
Posted in Mayana, NJFP | Leave a Comment »
Sound designer and sound artist, Jeremiah Moore, is one of our media coaches who has been working with NJFP’s Alex Pollak. Jeremiah shared this site with us as an example of how the focus on place, combined with the visual elements, and placement of the audio clips, all contribute to the success of the project. Take a look around and navigate through the various questions on the top header.
Posted in NJFP | Tagged 23rdandunion, Alex Pollak, Audio Documentary, Digital Storytelling, Interactive Audio, Jeremiah Moore | 2 Comments »
In light of my upcoming interview with my mother, I decided to post my plans for future shooting. :]
Mom (Linda) Interview Questions:
-Can you tell me where you lived when you were in San Francisco?
-How long did you live in each place/how long have you/did you live in San Francisco in total?
-Do you have any favorite things about where you lived?
-What was your favorite place to hang out/to go out to eat? Where did you go for fun?
-What is some of your fondest memories of San Francisco?
-What are some other San Francisco streets that you have memories about, good or bad?
-Can you tell me the story about where you met my dad?
-Where did you guys go on dates?
-Any dramatic events you remember taking place in SF?
-What do you most distinctly remember?
-What do you miss the most?
-Can you tell me where and when we moved?
-How is San Francisco different from where we live now?
LOCATION LIST
1. Fillmore & McAllister- Sid & Polly: video, photos, quotes
2. Clement?- Mom and Dad: video, photos, quotes
3. Cole & Haight- Marisa & Sam: video, photos, quotes
4. Pacific Heights- Sam & Polly & Sid: video, photos, quotes
By: Samantha Abernathey
Posted in NJFP, Samantha | Tagged Clement, Cole & Haight, Fillmore, Golden Gate Bridge, Interviewing mom, NJFP. new jewish filmmaking project, Pacific Heights, San Francisco, Street signs | Leave a Comment »
Amongst my grandmother Susi’s many stories, written as she neared old age, was a short piece addressing her blood-father, known to her as “Uncle Paul”. Before the war Paul and Mitzi were entwined in a romance, one that was interrupted when Paul left for the front. Upon his return he discovered Mitzi married to a man who her parents dubbed “acceptable”: Alfred was a well-bred Jew. Mitzi and Paul continued their relationship some years into Mitzi’s marriage and into Susi’s childhood. Feeling she must begin a pledge of loyalty to her husband, Mitzi finally broke it off when Susi was nine. In her writing Susi speaks of two journals: each a token of her mother and of Paul, each written to her in the months before her birth. Her mother gave her the first journal when she could easily read on her own. Susi was very touched by it—it described the calm of a beautiful marriage and the strong love between her and Alfred. This journal, as Susi wrote, “was the basis of my stubborn belief that I was Alfred’s child, even when Leonard tried to tell me otherwise after Alfred’s death in 1961.” But as Susi grew into teenage years she became embarrassed by the book’s sentimentality and let it lie on her shelf, untouched. Many years later, in America, her mother again handed the book to her and Susi returned it to the shelf. Past the death of her parents, and as her family dispersed—as her own marriage was set off course and her sons steered toward college—she re-visited this journal. Her therapist had asked her to search through papers or letters, to try to uncover “something hidden and strange about [her] early childhood.” Returning to the dust-gathering shelf where the journal housed, she was
“flabbergasted” to find with it another book of the same binding. This was Paul’s. It was a documentation of the time before Susi’s birth and “incontrovertible proof” of their relationship. Susi, with so many questions, had no answering-source. Her parents no longer lived and what remained were only facts. The two solidly inked journals provided fragments of her blood-parent’s states and details were left to fade with them…. “It makes me sad [that] I did not respond to my mother’s giving me his book. What must she have thought? That I was angry at her?” She felt if she had known this when she was younger, she would have treated Alfred more softly during the depression of his end years. She said, “Mieze told me many times that I would never know how noble he was. I guess she referred to his making it easy for her, always treating me as his own child and Opau [Paul] as a family friend. When in 1923, she wrote so glowingly about their love and their deep understanding of one another, perhaps that is what she meant, and it was true.”
Posted in NJFP, Yenny | Leave a Comment »
Here are the questions that I used to interview my mom.
Could you tell me about the role religion played in your childhood?
What was your parents stance towards religion?
Can you remember your parents talking about Solomon Lowenstein?
What is your stance on religion now?
When raising a child, what attitude did you take towards religion?
Posted in NJFP | Tagged Alex Pollak, Great-Great-Grandfather, interview, Lowenstein, New Jewish Filmaking Project, New York, NJFP, Philanthropy, Religion, Roots, Solomon | Leave a Comment »
This past weekend, I interviewed my mother Denise. This was the first of five interviews.
I found this interview to be quite inspiring. Although I had already known most of the information she told me about my Grandfather, I got to see and hear for the first time how she felt about my Grandfather’s life being a gambling addict, going through recovery, and finally living the end of his life as a “mensh”.
Our interview began and we talked about my Grandparents early relationship, I found out that for their wedding “cake” they each had an ice cream cone because that’s all they could afford besides a bus trip back to New York from Maryland where they eloped.
When I asked her about his gambling addiction and how it affected her life, and the structure of her family, she spoke about how separated they were when she was a child…
When it came to the end of the interview, and a few tears had been shed, I asked her is there’s anything else she’d like to say about her dad, and I was touched to hear her words…
So, I think this interview was a success. There’s still much to hear in my upcoming interviews in New York. I am eager to continue to discover who my Grandfather is, and how through a lifelong addiction, became a “mensh”
To Be Continued…
Posted in Jason | Tagged California, grandparents, interview, Jason Zavaleta, memory, new jewish filmmaking project, NJFP, Steven Spielberg, Walnut Creek | Leave a Comment »
As you may have noticed, zombies are incredibly popular these days. They’re neck and neck (no pun intended) with vampires in terms of Google searches and kicking the crap out of werewolves, which is made all the more impressive by the fact that vampire-based fiction is currently responsible for approximately 78% of the American economy.
There are numerous articles written about the zombie apocalypse, and my friends even have a route planned out in case of zombie attack. Now, granted, Cracked.com isn’t a leading scientific journal, and my friends are…well they’re the type of people who make zombie maps, but the point remains that zombies are certainly on peoples’ minds. But why?
As this article points out, the idea of the living dead has been around since Babylonian times. Our modern conception of zombies is mostly shaped, however, by more recent texts like “Frankenstein” and authors like Edgar Allen Poe. This, plus the Haitian practice of voodoo has led to what we now think of as zombies. But the question is, why is this idea so persistent? Why does it resurface again and again, across time, space, and cultures? One thought is that they were the living (or not) embodiment of our unconscious doubts over our own humanity. That is to say, they are an outlet for deep uncertainties about what it is that defines personhood.
Of course, what an object represents can change over time. There is an element of bricolage, or placing something that already exists in a different context to create an entirely different meaning. For example, vampires were originally portrayed as diseased, bloated corpses that fed on the living. However, as people began finding the whole neck-sucking thing sexy (I guess?) vampires became synonymous with eroticism. Similarly, an army of mindless zombies have represented Communist hordes, rampant consumerism, and corporate greed, just to name a few. So what do modern zombies represent?
To me, the most interesting thing is that the focus seems to be on the aftermath of a zombie outbreak, rather than on the zombies themselves. There’s both a lengthy Wikipedia article specifically on the zombie apocalypse and a Zombie Survival Wiki, not to mention an academic paper about the effects of a zombie outbreak. Of course, the zombies could still represent Communists or terrorists or killer bees or whatever, but the fact remains that the focus seems to rest more on the apocalypse and less on the zombies. So, again, we have to ask why.
Going back to the article I mentioned earlier, there are several reasons listed for why people are fantasizing about a zombie apocalypse. Some of the reasons are obvious. I mean, in some respects, life would be like a giant game of Grand Theft Auto. You could go around, stealing cars, running over zombies, and doing missions for the Yakuza (or looting stores or whatever). However, there would be a more serious side, and that’s where all this obsession and preparation would come in.
You’d need to provide your own food, shelter, and whatever other amenities you would want. So, really, the zombie apocalypse could stand in for any large scale disaster. Say there’s a terrorist attack. Or some global warming-related weather event. Or the electrical grid fails. Or SARS makes a comeback. Or genetically modified plants gain sentience and go on a killing spree. Or any of the dozens of things the news threatens us with every night. What would you do? Of course, nobody’s seriously preparing for all these events, and with good reason. You’d go crazy from the stress, or at least people would think you’re extremely paranoid for acting on what seems like a very unlikely possibility. And yet the anxiety remains. So preparing for a nuclear holocaust makes you seem crazy, but preparing for the zombie apocalypse? That’s hilarious. Or is it?
Posted in Adam, NJFP | Tagged apocalypse, bricolage, culture, paranoia, survival, zombies | 1 Comment »
Aoccdrnig to rscheearch at Cmabrigde Uinervtisy, it deosn’t mttaer in waht oredr the ltteers in a wrod are, the olny iprmoetnt tihng is taht the frist and lsat ltteer be at the rghit pclae. The rset can be a toatl mses and you can sitll raed it wouthit a porbelm. Tihs is bcuseae the huamn mnid deos not raed ervey lteter by istlef, but the wrod as a wlohe.
Posted in NJFP | Leave a Comment »
Posted in NJFP | Tagged Bob Dylan, Corey, corey abraham, New Jewish Film, NJFP, Subterreanean Homesick Blues | Leave a Comment »
A bit more….
When I recall the moments Leonard may have grappled to keep up with the energy he had set for himself, a feeling of sadness always stirs in me. I wonder if these exposures were a strength—simple humanness when regarded with a pang of tenderness—or glitches in Leonard’s rough character that could be viewed as a weakness and with feelings of pity.
It seems the closer I am to a situation or person the more easily I separate myself from something negatively affecting it. For example, upon seeing a limping and homeless animal I lament inexhaustibly for it. When I see something that evokes pity or grief I feel the need to become closer to it—to help it and understand its suffering. This is a reaction that quickly mends grief, for once close to the source, and comprehending the reasons for it, sadness dissipates.
When recently I saw Leonard’s signed credit card among remnants on a table, I felt relieved: this piece of modern reality was relatable—it made sense. There was no gap in time or custom, no cause for me to over-compensate mystery with emotion.
Posted in Yenny | Tagged close by, NJFP. new jewish filmmaking project, source, Yenny Martin | Leave a Comment »
Posted in Alex | Tagged Alex Pollak, Grandfather Interview, new jewish filmmaking project, New York, NJFP, Philanthropy, Solomon Lowenstein | Leave a Comment »
Above is an except from the obituary given at my great-great-grandfather’s funeral. I am having trouble tracking down the interview with my grandfather, so that will be up tomorrow, but in the meantime give this a listen.
Posted in Alex, NJFP | Tagged Alex Pollak, Great-Great-Grandfather, Jewish, New Jewish Filmaking Project, New York, NJFP, Obituary, Philanthropy, Solomon Lowenstein | Leave a Comment »
http://dontshaveyourtwat.blogspot.com/
http://www.flickr.com/photos/sophisticated/sets/72157623050537369/
http://www.treelaw.com/about/bio.html
Posted in Mayana, NJFP | Leave a Comment »
Memory Paths
Key: numbers correspond to ten lists
L1P1 = the first positive number in the first list (in “Ten Lists Part I”)
L2N4 = the fourth negative number in the second list (in “Ten Lists Part II”)
On a reflective day: L2P1 leads to L1P3 leads to L1N8 leads to wistful day
On a wistful day: L1P1 leads to L1N1 leads to L1N2 leads to lonely day
On a lonely day: L2N6 leads to L1P7 leads to L1P9 leads to happy day
On a happy day: L2P2 leads to L1P4 leads to L2P10 leads to reflective day
Three Websites:
google.earth.com
donniedarkofilm.com
http://channel.nationalgeographic.com/channel/human-family-tree-3706-interactive
Posted in Zoe | Tagged "Memory Paths and Websites", "Zoe Pollak", ancestral migratory patterns, Berkeley, California, Donnie Darko, genographic project, Google Earth, human family tree, memory and emotions, National Geographic, new jewish filmmaking project, NJFP, San Francisco Jewish Film Festival | 2 Comments »
Hey all, I’m just posting a brief video that you might be interested in. It’s something I worked on the other day, and it ties in really well to what we’re doing:
Forget E-Books: The Future of Digital Storytelling
Posted in Adam, NJFP | Leave a Comment »

At his grandfather's funeral: Leonard is center, staring at the camera. Aga is beside him crying and Kuka stands at the coffin's head with hands crossed. (Click to view a larger image.)
My father says Leonard very rarely talked of his childhood in Harbin. He spoke once of his mother’s “home remedies” and once of a conflict with a Guomindang officer:
Aga, his mother, would brew a glass of raw ground liver each morning for Leonard to drink; Aga considered it an aid for a health problem of some kind. For Leonard, this was a torturous exercise.
Leonard’s daily route to school forced him to cross a narrow railroad bridge, its walkway wide enough for two people abreast. On his way one day (probably after ingesting the liver potion), he was approached by a crossing Guomindang officer. Leonard was too slow to move from his path, so the officer began to beat him with his walking stick. The rail slats were set far apart—one crossed the bridge with precaution. As he was being beaten, knocked in each direction with great strength, Leonard could only concentrate on the water far below—finally clinging to a slat, striving to keep from collapsing through.
This story enabled my father and sister to find Leonard’s home: In the Russian part of Harbin, after passing many bridges, they came across an old iron railroad bridge. Following it, they were greeted by a little neighborhood; crowded with cottages and sweetly layered with snow. For my father it was quite a contrast to the gloomy torment of Leonard’s portrayed childhood.
Posted in NJFP, Yenny | Tagged childhood, Guomingdang officer, Harbin, liver drink, new jewish filmmaking project, NJFP, railroad bridge, Russian neighborhood, Yenny Martin | Leave a Comment »
After a lengthy discussion with Jeremiah on how to upload files I have recorded to the blog, WordPress will still not accept them, even after converted to .mp3. Other than that, my project is progressing nicely; I’ve recorded the interviews necessary, and hope to have them up as soon as I find a way to get them on the internet.
Posted in NJFP | Tagged Alex Pollak, Current Situation, Discovery, Lowenstein, New Jewish Filmaking Project, NJFP, Philanthropy, Solomon | Leave a Comment »
Ten Negative Memories of Childhood (to supplement the past week’s list, not in chronological order)
1. Feeling out of control of my parents’ lives when they dropped me off at my kindergarten class. Every day I went through a ritual with the parent who dropped me off, making them promise not to get punched, shot, killed, abducted, or lost while they were not in my sight.
2. When my cousin Marissa got Baldy, the rarest Beanie Baby. She made sure to call me from her house in New York to tell me she got him, and I felt terrible. (About a month later, I got a package with Baldy in it from her dad.)
3. When I was eight and my other cousin teased me by holding my A’s baseball cap out the window while we were driving on the freeway to Seaworld. He didn’t mean to let go, but he did. We all got out to look for it for about an hour and didn’t find anything, and the rest of the way to Seaworld my cousins and I cried- I cried because I wanted my cap, my cousin Jared cried because he felt guilty, and my cousin Marissa because our trip would be delayed to look for my “stupid hat.”
4. Getting to Seaworld after losing my cap. I had just started feeling better at the sight of the dolphins when a woman passed Marissa and me with a huge stuffed animal. Marissa told her the stuffed seal was really cute, and the woman gave it to her. That was the final straw. I felt terrible, and made my dad and uncle play in a water gun game (the sole two dads playing against a bunch of middle school boys) to win me a stuffed animal like Marissa’s.
5. The second-grade drive to Pt. Reyes. I had one enemy in that class, a girl named Christie. My dad volunteered to drive a student in addition to myself, and I told him I was worried Mrs. Rynerson would assign us Christie just to make me upset (she was a diabolical teacher). My dad reassured me that there was only a one in thirty chance of that occurring. Of course the next day when we looked at the driving sheets, my teacher had assigned Christie to our car. The whole drive to Pt. Reyes was tense and silent. (About two years later, Christie and I became best friends for the remainder of elementary school.)
6. My dad getting remarried when I was around eleven. I was not used to sharing him with anyone else (I am an only child), and the new dynamic with his wife really threw me for a loop, to say the least.
7. Middle School. All three years were terrible. I was at my “awkward age,” had horrible teachers who were almost all either racist or excruciatingly boring, and had a whole group of bullies who picked on me everyday in PE.
8. When my mother flew to Spain for a work conference for almost two weeks when I was in fourth grade. Her trip was the longest time I had been away from her, and I felt very worried about her safety (I figured that if I wasn’t around to protect her, something bad might happen). For about two days I couldn’t bring myself to eat anything.
9. When I got salmonella at Disneyland. I got it from raw beansprouts, and felt miserable. We had to stay in the hospital overnight and I still remember the pain in my stomach. I was around four years old.
10. Feeling patronized by my parents when we visited family. Often I was told I was interrupting the adults, and felt left out of conversations.
Ten Reasons Why I am Glad to be my Age
1. I have more control over my day. I can get to places on my own, make plans with my friends without the help of my parents, and make decisions on how I want to spend my time.
2. My friends. Now that I am in high school, I have the best group of friends I have ever had.
3. My cellphone. I get to call people whenever I want, and when I was little I had no interest in talking on the phone. I thought it was boring and an activity for adults. Now I love talking to people on the phone, and because I have a cellphone I get to call people in other states who I don’t get to see very often.
4. My job. I’ve gained a lot of independence and self-confidence from working. (I have worked at a bakery in Oakland for almost 2.5 years.)
5. Knowing my way around Berkeley. When I was little, I always depended upon my parents to drive me to school and to friends’ houses. Now I get to decide where I want to go and when, and enjoy walking to school and around Berkeley.
6. English. It has become my favorite class, and I look forward to reading novels and discussing them. I love writing expository, argumentative, and creative essays.
7. Responsibility over my own social etiquette. I don’t have my mom or dad scolding me for interrupting and condescending to me like when I was little.
8. Classical music. I listen almost every day, and now that I am older, I appreciate it. When I was younger I regarded classical music as something to fall asleep to, but now that my ears have become attuned to different musicians’ styles and composers’ idiosyncrasies, I don’t listen to it as background music.
9. Being able to watch R-rated movies. I know this sounds juvenile, but most of my favorite movies are rated R and when I was younger I felt left out when my older relatives got to see movies that “I was too young to understand” or were deemed inappropriate for a child.
10. College. While I will miss my parents, I am looking forward to living on my own with people my own age. I can’t wait to take classes I will be interested in and get to know a new city or state.
Posted in NJFP, Zoe | Tagged "Zoe Pollak", Baldy, baseball cap, Beanie Baby, Berkeley, California, Chopin Etudes, Murray Perahia, new jewish filmmaking project, NJFP, Oakland A's, Pt. Reyes, R-rated movies, salmonella, San Francisco Jewish Film Festival, Sea World, second grade, Ten Lists Part II | 1 Comment »
I decided to look back at my Bar Mitzvah blessing, now knowing where my Grandfather’s words came from.
The line that now stands out to me the most is the one right after he tears up, “Be a human crutch to those who fall”. In the first few lines of his speech, he mentions the “human crutches” from his past, people who helped him get through those tough times. Then he said, “Be a mensh”, a man who contains “all the goodness of humanity”.
I think about how those words shape who I am today. Today, I want to do what I can to make a difference in the world. Starting at home, with my friends and family, I try very hard to maintain a lifestyle that makes people feel good, that fulfills my need to bring good things to the world. I think I’ve always have been that way, but I remember and can feel when I listen to his words, that he definitely help remind me of the direction I should be heading.
Considering his past, it makes sense. I think he suffered through feeling empty, and lost. I’m sure he didn’t want me to feel the same things he felt.
This blessing is now more personal, since hearing his speech. It was the one time I feel I made a connection with him that was more than just everyday talk about what I was doing and the weather difference from New York to California. I guess that if I were to talk to him now, and asked about his speech, what he wanted me to take away from it, would be his blessing. He said everything that he wanted me to be, and by doing so, perhaps I wouldn’t make the same mistakes as him.
I have a better idea of what this blessing means, but to fully understand it, I need to continue to find out more about my Grandfather’s past.
Posted in Jason, NJFP | Leave a Comment »
Tagging along with Aga was another young woman whose husband was also aboard Kolchak’s train. . . .
Snippets of the story:
A little boat ferried people across the river at Irkutsk. As Aga stepped from the boat clutching a freshly-bought sausage, a man offered to help with her package. She passed it to him—and off he ran. From then on in Irkutsk, she carried in her hand, fiercely swinging it, a pistol.
Aga’s father had left Omsk ahead of Aga and her mother, brother and sister, who had traveled together.
A few days after leaving her family (who continued on to Manchuria), Aga was making her way through the huge crowds wrapping the Irkutsk train station. Suddenly, through thick layers of faces before her, she saw her father. They shouted each other’s names across the sea of people and through the roar of bustle and steam-engines. They struggled to get closer, pushing against the resilience of the mixing currents of the crowd’s movement—and stretching out their hands, her father passed her some money. As she grasped it, they were parted by the throng. The next time she saw him was in Harbin, a few months later.
Aga would beg Czech officers upon her knees to spare her husband’s life. They would dismiss her, as they were probably confronted hour after hour by crying wives. One officer, however, took pity on Aga, an alone and pregnant teenager. He told her lightly to come back later. When she did, the officer summoned his footman, telling her to go with him, he would help.

It was night, very dark, when they reached the site of Kolchak’s train. There were many trains, one after another, lined up endlessly. Aga was told to wait in the dark, by the wheels of a train. He walked ahead, and in the distance she saw his dark figure climbing the steps of another train. A few moments later he reappeared. By his side was Kuka.
The details here are unclear, but Kuka made his way to his waiting wife, and they again were together in the silence of wartime. But far away down the row of cars, a wail cut the air: Aga’s companion had followed her, and seeing that Kuka was saved,and that her husband was still on the train, so close to where they stood, she was pulling her hair, howling. Kuka told Aga they could not help her, that they must flee while they could. Kuka was the only one on the train to survive.
It was spring and the river ice was breaking. The rivers in Siberia are wide, and to cross Aga and Kuka were forced to jump from ice to ice. Aga was already very pregnant as Leonard was born in July.
On the train (to Harbin) Aga’s clothes were thin, and she was shivering in the ice-cold. A woman in furs was watching her disdainfully. Finally the woman threw Aga one of her coats, saying, “What kind of a jacket do you have? Take this!” Of course Aga was extremely grateful.
In Manchuria, aboard a new train, they explained to the Chinese conductor that they had no tickets. The conductor instructed them to wait in the bathroom when he collected tickets; they could come out later. Later, the conductor brought them a mandarin orange—for a long time, they hadn’t eaten. When Aga retold
this, tears would come, the orange they split and his kindness meant so much.
When they got off the train in Manchuria, tailors greeted the Russian passengers. telling them that they would be unable to find jobs in their ragged clothes. They would tailor a clean suit for them and after finding a job, they could repay them. Some Russians returned to pay, some didn’t.
I am now not so surprised at the power of Leonard’s personality: before I hadn’t connected his fierceness and strength to Aga’s. In her Harbin pictures, her expression never changes: a stern, guarded stare. Leonard’s, even as a young boy, is very similar (though in this photograph it’s hard to tell). In coming to America, Aga allowed herself to become more jolly, roughhousing with her grandsons and emanating Leonard’s vivaciousness.
Aga’s father, my great-great-grandfather, is spectacular. He is a direct image of Leonard’s tartar side, a tough, fiery-faced, forthright Russian. Aga’s brothers, Peter and Anatole, bear a strong resemblance to Leonard as well, though more delicate, as Leonard was as a young man.
Now that, in my own mind, I have connected Leonard’s roots, I feel somehow relieved—that he was not alone in his ways and did not stick out awkwardly as one whose inherited traits are given rare emphasis, and whose traits are muted in his sons and descending family. It was a subtle and reasonable incline of intensity, transferred from one generation to the next, blending with and sharing traits from another side and another kind of person. Leonard is not alone, to be washed out after life.
Posted in Yenny | Tagged Czech, dismiss, Harbin, husband, Irkutsk, Kolchak, Manchuria, new jewish filmmaking project, Omsk, Russian, Siberia, teenager, Yenny Martin | 1 Comment »

Verbally recounting her stories, it seemed as though Aga was again in the midst of
dramatic wartime scenes (says my father), and that the emotions 70 years ago were still as keen in her mind.
Aga’s husband, Kuka (Victor), was an aide to Admiral Kolchak, head of the White forces in Siberia during the Russian Civil War. Kuka was stationed in Omsk where he regularly dropped by Aga’s house, on the grounds of visiting her brother. Of course, like many other young men, it was not Aga’s brother he wished to see. Aga was dismissive at first,
uninterested in hair “too curly!” However, Aga’s mother was fond of Kuka and allowed him to rent a room in their house. Over time Aga “became used to him” and they were married. At 16 she was pregnant,harboring Leonard in her womb.
Soon, as the Whites retreated from the approaching Reds, it was time for Aga’s family to flee. When their train approached Irkutsk she was told that Kolchak’s train was stranded in its station—Kuka aboard.
The scene there was chaos: the Czechs, held as prisoners of war during WWI, held the city; they were stuck in Russia. Their single objective (a difficult one as opposing forces lay as barriers in the west) was to make their way eastward to Vladivostok. They were willing to side with Red or White if it presented advantage. Here, in Irkutsk, they were a third army.
Kolchak’s train was in the control of the Czechs—who were about to turn it over to the Reds, who would kill Kolchak and his officers. On hearing this, Aga left her family in search of a way to help her husband. I imagine that was an extremely difficult split, as no family would want their 16 year-old daughter wandering a war-scene (on a futile task) . . . and as no family would be strong enough to restrain the stubbornness and passion and desperation in a girl like Aga.

Kuka is at left (in black hat), saluting. Kolchak is at center, facing camera.
Posted in NJFP, Yenny | Tagged admiral kolchak, Aga 1, Czech, new jewish filmmaking project, NJFP, Omsk, reds, Russian Civil War, Siberia, Vladivostok, whites, WWI, Yenny Martin | Leave a Comment »
Have you ever started having entire conversations with people just to realize the person was having a conversation with somebody else on their Bluetooth?
Well if you don’t know what I am talking about you are probably already addicted, adapted, or just very secluded but the truth is we ALL are addicted and adapted. It’s a shame but it’s the truth and I’m still trying to wonder how I become one of them.
Truth is, I dreaded the thought of getting a cell phone, and I even begged my dad not to get me one. Even in late elementary all my friends were getting them or begging their parents for one. It seemed so strange…. telephones are for my mom who is a lawyer, or for the house. Why would I, just being a 10-year-old little girl need one? My parents gave me many reasons which seemed like more and more bull when I think about it but back then they weren’t even too sure why I “needed” one.
But it had something to do with “keeping track” of me. I even said “Well then why don’t you just stick a tracking device in my head.”
My mom actually ended up sticking one in our dog instead.
Anyway I remember I walked or biked home one day after school like I usually did, like I had been doing all my life and said hello to my dad and there in the middle of the living room was a big cingular box.
“Oh no dad you shouldn’t have, REALLY.”
“No baby! It was my treat; really I want you to be safe! You’re always walking around by yourself all the time I just want to know where you are.”
“Ehhh…thank you I guess but I really don’t want to use it that much…”
“Of course just when you go out, so I can know where you are.”
Posted in Mayana, NJFP | Leave a Comment »
NYTimes – One in 8 Million – New York Characters in Sound and Images
Click on the image for one of my favorite stories - The Walker.
Posted in NJFP | Tagged 1 in 8 Million, Digital Storytelling, New Yorkers, NYTimes | Leave a Comment »
On October 13, 2009 my grandfather Shevakh (also known as the husband of Chaya’s daughter) turned 80. In order to celebrate this important milestone and prove that he can beat senility, I decided to purchase him a personal computer. The talk of getting my grandparents a computer has been going on for years but every single time I would bring it up, they would say that the new form of technology would be too complicated and difficult to master. I, on the other hand, was convinced otherwise.
I knew how talented they were and I was sure that they could master anything, with the proper ingredients that is. After two weeks of researching, without their consent, I purchased an All-in-one personal computer, three learning books, videos-all in Russian, and an internet connection. Now they had no excuse but to tackle their fears. If only they knew what I had up my sleeve…
For days, I have been pondering on ways to break it to my grandparents of my surprise. I have decided to approach it from an authoritative standpoint: I told them that their their computer would be arriving in two days and there is nothing they could do about it. My grandpa was thrilled! Even though it has been greeted with resentment initially, my grandparents invited this now common piece of technology into their household, with open arms.
Remember, it is one thing having a computer and completely another know how to use it properly. What seems completely natural and easy for us(everyday addicts) is foreign for them as I had to explain the essential double clicking of a mouse on a folder.
This has been such a rewarding experience. I visit them once every week (I wish I could do it more often); my grandpa fascinates me with how far he has gotten. So far it has been 2 months and he is advancing at an alarming speed. He can comfortably navigate around the computer, go online, watch movies, play games, check email, and most importantly- video chat with his friends and relatives in Israel.
Posted in Klaira | Tagged California, computer, grandparents, Klaira, learning new technology, new jewish filmmaking project, NJFP, PC, personal computer, technology | 2 Comments »
And so I print out my writing onto paper.
The old fashioned way.
Creasing the edges carefully I put the papers into envelopes.
Lick each one, take my mother’s address book and search the pages for their contacts.
I write out each address with care.
I select and place my stamps, will I have the trust to drop them in the mailbox?
There can be so much value in simple ink on paper.
It is like letting fate take over, the unfolding of the future of this project cast to the winds of the US postal system.
When I send letters to friends in far off places I try each time to put a bit of myself within those fat looping words I scribble. I include little maps of time having passed and think that the things which my fingers that have grown familiar to with become their familiars as well.
My mother’s mother had a silver letter opener. Sharp and capable, producing that quick ripping of envelope bits apart. So efficient it was.
My father’s father wrote letters. Brisk scratching on the backs of old receipts. So efficient it was.
I must go perform my tasks, get those letters off, sealed with courage and with love.
Posted in Hannah | Tagged care, crease, efficient, familiar, family, fat words, letters, mail, maps, post, trust | 2 Comments »
Two weeks ago, I was introduced to a new element to my story I had not considered. I always knew my Grandfather was a gambler and he was in Gambler’s Anonymous (GA) for years, but that is all I knew. When I was home recently for Thanksgiving, ironically right around the time a year after my Grandfather’s death, my mother asked me if I had ever heard his GA speech. No, I hadn’t, I didn’t even know it existed.
My mom popped the tape in the car radio and his thundering voice echoed in my ear drums. For the next sixteen minutes, I laughed, cried, and remembered him. In his speech, he talked about how he married my Grandmother, how he wasn’t ready to be a father, and how gambling took over and destroyed his “treasures.” He finished with how he’d changed and how he finally become “a part of the map of life.”
I was in a silent shock when the tape ended. I didn’t even know what to think. All these years I knew him, flew out to see him, and him to me, I never knew just how much turmoil and tragedy he went through. I felt left in the dark, like he should have told me about this. It was from this speech that the words from my Bar Mitzvah blessing came. I always wondered why he chose those words and I am hearing them on a tape, after his death, the reason.
All I wanted to do was call him on the phone and have a lengthy conversation on everything he said, but I couldn’t.
At one point in his speech, he said that when my Aunt Nicole was 28 years old, she went to a GA meeting with my Grandfather and there she sat with tears “welding in her eyes”, “Father I never recall you saying ‘I love you’.” I couldn’t believe that was true. How on earth does a parent never tell their child that they love them? For 28 years…
My parents tell me they love me almost everyday. Being reminded that I am loved is something I take for granted but it’s like a battery that I’m unaware of, it keeps me going. Hearing that they love me keeps me sane. It prevents me from losing control because it’s easy to feel out of control when there’s no love to balance out the difficulties of life.
My Grandfather’s difficulties with gambling caused the almost sure destruction of his family. Somehow he realized that needed to change and he made those changes.
Now, I will use his speech to guide me to help uncover more about who he was, bringing me that much closer to feeling connected to my Grandfather.
Posted in Jason, NJFP | Tagged addiction, GA, Gamblers Anonymous, Grandpa, Jason Zavaleta, Love, new jewish filmmaking project, NJFP, recovery, Speech | 1 Comment »
I’m going to diverge from Susi’s stories for a moment—or maybe for a few posts. Leonard always complained about his mother, that she would force him to eat raw ground liver every morning before school. He was quite harsh with her, one day identifying himself on the phone (after hearing, “Who’s this!”) as Anatole, her long-dead brother. He would joke that upon her death the family would happily throw a celebration. And Aga (his mother) would complain what an impossible son he was. They were both fierce people. Their large personalities were to each of them exasperating and clashed in a small space.
In spite of that, when Aga died, Leonard wasn’t himself for a year: he was in deep mourning, forgetful and aloof and unresponsive. They were only 17 years apart—they could have been siblings. In that way they were extremely close, fighting like siblings; by appearance they might have grown up together. Aga became pregnant after she married at 16: Along for the bumpy ride fleeing across Siberia was Leonard, a giant lump in Aga’s fearful body. It was a traumatizing time for Aga (the story of which I’ll go into in my next post), undoubtedly affecting the baby inside her.
Posted in Yenny | Tagged bumpy ride, celebration, exasperate, fighting, flee, mother and brother, mourning, new jewish filmmaking project, Siberia, siblings, traumatic, unresponsive, Yenny Martin | Leave a Comment »

Nothing major has happened in this past couple of weeks, so I have nothing interesting to post on the blog this week. I’m currently solidifying what equipment I’ll be using to record the interviews, and scheduling said interviews with my family members. Unfortunately, my great-uncle passed last friday, so I’ll be unable to include him in my project.
My current plan is to record a speech given at Solomon Lowenstein’s funeral once I get my equipment. If anyone has any suggestions for blogs between then and now, please let me know.
Posted in NJFP | Tagged Alex, Great-Great-Grandfather, Jewish, Lowenstein, new jewish filmmaking project, New York, NJFP, Philanthropy, Roots, Solomon, Update | Leave a Comment »
The New Jewish Filmmaking Project at the Contemporary Jewish Museum
December 17th, 2009 * 6:00 – 8:30pm *
Don’t miss this event! Click here for the facebook invitation.
Posted in NJFP | Tagged Bay Area Teens, Contemporary Jewish Museum, JCCSF, new jewish filmmaking project, Teen Art Connect | Leave a Comment »
I just wanted to add something before you read this post: Because for this assignment I’m thinking of a bunch of negative things, I can see why I might come across as harboring a bunch of negative feelings. So just a reminder, this is supposed to be glass-half-empty (nostalgic), but the next post will be more positive.
Ten of my Most Vivid Memories of Childhood (not in order)
1. Looking for crabs in the sand with my cousins in Laguna Beach during the summertime.
2. Watching the same Charlie Brown and Disney movies with my dad over and over.
3. Walking with my mom to the Safeway on Shattuck when we lived in our apartment near the JCC. I remember balancing on the raised parking lot barrier area and looking down at the fallen ginko leaves and noticing that they were the same yellow color as the paint in the parking lot.
4. Getting put on a time-out in fourth grade with four of my good friends. We were all seated in separate areas so that we couldn’t face each other. Although each of us sat by ourselves, I felt united with them. We were all victimized by the same oppressor, Mrs. R (the principal).
5. Drawing giant chalk Pokemon characters with my mom’s help on the cement outside of our El Cerrito house.
6. Waking up one night and staring at a floating semi-transparent mass that was hovering near the doorway, getting smaller and larger. I was terrified and woke my mom up, who was sleeping beside me (my dad slept in another room because they were in the process of splitting up). I was convinced I had seen a ghost.
7. My dad carrying me to his room on the nights I stayed with him (my mom slept in the main part of our Berkeley house, while my dad slept in the basement). I remember eating “Basement Crackers” (Wheat Thins) while listening to the Beatles on my dad’s walkman before falling asleep.
8. Going with my mom to her work. I sat in her undergraduate English classes and drew pictures, excited at being surrounded by a bunch of people who weren’t old enough to be boring grown-ups. I remember glancing at my mom’s students when they weren’t looking, and when they finally looked over and met my gaze, I quickly moved my eyes to someone else.
9. Going to Beatnik’s Bagels with my dad when we lived in Boulder, Colorado. I remember looking at the parrot on the Odwalla fridge while my dad ordered. Beatnik’s had hourglasses at the counter. They did not have sand, but had a more lava-lamp-like goop. I remember turning these hour glasses over and over again, watching the lava-lamp-like liquid seep to the bottom.
10. When my mom picked me up from my friend’s house and told me she had a surprise for me. I looked inside the car and saw a clear plastic bag with a red betta fish. I held it in my hands the entire ride home, thrilled to have a new pet to look at.
Ten Reasons Why I Wish I Could be Little Again (not in order)
1. Homework. I get home from school, and work until the wee hours of the morning. Often I am the last one to go to sleep at both houses, which feels lonely.
2. The Internet. I procrastinate at least an hour every day on Facebook and various websites like YouTube. But being online isn’t satisfying or relaxing for me; I feel cut off from the rest of the world and feel guilty for wasting hours I won’t be able to get back.
3. The dynamic of my relationship with my parents. I feel more distanced from my parents and less able to communicate with them now that I am getting ready to leave for college.
4. College applications. Those two words speak for themselves.
5. I don’t like thinking that my family is getting older. It depresses me that my parents are approaching fifty and that my youngest cousin will be seven. I remember when my cousins were babies, and now some of them are getting ready to go to middle school. Their increasing loss of innocence is noticeable every time I visit them, and it becomes harder and harder to live vicariously through their childhood.
6. Having to live in two separate houses – I never get to be with both parents at once.
7. I am more cynical now that I am seventeen. When I was little my way of thinking was less critical and more blissful in its oblivion and ignorance.
8. My relationship with time: I rarely live in the moment. I am constantly in anticipation of something in the future, perpetually counting down to some goal (right now most of my goals concern college admissions). I either mull over the past or obsess about the future.
9. My relatives living in other states. When I was younger, most of my aunts and uncles lived near or with me, and I miss being able to see them on a regular basis.
10. Not being able to take anything for granted anymore.
(In the future I will add two more “Ten” lists: One with specifically negative memories of childhood, and one about why I’m glad that I’m older).
Posted in NJFP, Zoe | Tagged "Zoe Pollak", aging, Berkeley, betta fish, California, college applications, divorce, new jewish filmmaking project, NJFP, Ten Lists, vivid memories, wheat thins | 4 Comments »
Maybe you’ve heard the word. Or even wrote your master’s thesis about it. Although both are unlikely, allow me to invite you to a Yiddish based series of thoughts, comedic shorts, and interviews.
Posted in NJFP | Leave a Comment »
I am beginning to evolve into more interview based filming for my project and subsequent blogs, and have therefore decided to post potential interview questions to this blog in hopes of any form of response, critique or praise. Please comment/add more!
QUESTIONS:
-Can you tell me where you lived when you were in San Francisco?
-How long did you live in each place/how long have you/did you live in San Francisco in total?
-Do you have any favorite things about where you lived?
-What is some of your fondest memories of San Francisco?
-What are some other San Francisco streets that you have memories about, good or bad?
-What do you most distinctly remember?
-What do you miss the most?
-Do you have any photographs from your time in San Francisco?
Thanks!
Posted in Samantha | Tagged blog, For future reference..., interview, memories, new jewish filmmaking project, NJFP, questions, Samantha Abernathey, San Francisco, streets | Leave a Comment »
Chaya and Yosef remained in Novograd Volinskiy, known at that time as Zvyagel. They lived a noble life: built their own house (which was later destroyed in WWII), had three children, and loved to help the less fortunate..they were not that far off from that themselves.
Chaya never questioned her decision to remain in Novograd even though she had lost contact with her brothers.
The next three generations, including myself, were born in Novograd as well. Unfortunately, I didn’t get a chance to meet my beloved great grandparents, as Chaya died (to the day) a year before I was born and Yosef passed away 15 years before that. Chaya’s only son, Naum, immigrated to San Francisco in 1992, at the age of 65, through the efforts of his wife’s relatives. He immediately started to search for his lost uncles and relatives. After long years of posting ads in various newspapers, a daughter of Ruvalle stumbled upon an ad and contacted him.
I heard that this reunion was featured in newspapers and on TV, but wasn’t able to find any of these reports.
On important Jewish holidays my grandmother and Ruvalle talk in Yiddish to each other (since my grandmother doesn’t understand English and Ruvalle is not familiar with Russian.) It is absolutely remarkable to know that we have American relatives here in what once was known as foreign land.
If only Chaya was here to see all of this…
Posted in Klaira, NJFP | Tagged America, ancestors, Being Jewish, California, family, finding family, finding relatives, immigration wave, Is it worth it?, Jew in Soviet Union, losing contact with family, Naum, new jewish filmmaking project, NJFP, Novograd Volinskiy, reconnecting, relatives, San Francisco, Soviet Union, United States, USA, yiddish, Zvyagel | Leave a Comment »
Get ready for flip cam games with the NJFP at the Contemporary Jewish Museum on the Dec 17th, 2009, 6 – 8:30pm.
Click here for the facebook invitation.
In the meantime, please watch the clip below.
Enjoy the video? Test your Yiddish with this facebook quiz. Click here to log in to facebook and see how much you know!
Posted in Corey | Tagged Contemporary Jewish Museum, corey abraham, new jewish filmmaking project, NJFP, pupik, yiddish | 1 Comment »
My father just discovered a series of stories written by Susi. The first, the shortest, was written in the point of view of my grandfather Leonard. Her depiction of him is sweet, one of tenderness. In it he is guilty of flaws as everyone is, and through that he is unguarded and accessible. She includes her own complaints towards Leonard, but when a complaint comes from another direction she stands by him loyally. It is wonderful to come across her stories—a window through which one is able to understand, little though the window is. This story displays the strength of their love—expressed without obvious sentiments but with an unquestionable interdependence. They were a pair, co-existing.

Here is a bit of the story:
“We had heard the key turn in the lock while we lay cozily in bed, having fed the baby his early bottle and put him back to sleep. I padded barefoot to the living room to find my father-in-law staring hot-eyed at three empty bottles on the floor in the corner and various unwashed glasses left from last night’s party and then, even more pointedly, at my stubbled chin and rumpled pajamas. He beckoned to his wife and they both left without a word.
The words apparently were saved for Monday morning. True, I have but a second hand and rather piecemeal account from my wife, but I can reconstruct the scene with deadly accuracy.”
Posted in Yenny | Tagged flaws, Love, New Jewish Filmaking Project, NJFP, pair, story, unguarded, Yenny Martin | 2 Comments »
I visited my elementary school with my dad today. Surprisingly, I hadn’t set foot at Marin School in years. Normally, I see my old school through the glaze of the car window, but don’t really look at it. Today, though, I decided to see what it would feel like to physically revisit my childhood.
We get out of the car and walk up the wheelchair ramp to the front of the school. It’s a Sunday, so we’re the only people here, save for a little boy on a tricycle with his mother and grandmother. I’m nervous, maybe because I’m anticipating an old teacher to walk out of her classroom, recognize me, and think of me as pathetic for coming back to this place.
We approach the front office’s awning. The ground is the same; dark cement, not quite smooth. Chalk Art Day was yesterday, so colorful rectangles filled with sharks and pumpkins line the classroom walls. I stop and look down at a Raggedy Ann doll, its strokes too contained to have been drawn by a child. I put my face up to the office window and remember standing here twelve years ago. In first grade, the office was a place to go when you had a fever or a stomach-ache. I remember the comfort of spending an hour with the nice older ladies who talked slower than normal people and enunciated every word in lilting voices, like the telephone operator.
We walk toward my old kindergarten room. It looks the same, except now it’s a second and third grade classroom taught by my fourth grade teacher. The chairs are the same tiny size, the whiteboards most likely the same ones my teacher used to teach us spelling on. I wonder how many times they’ve been erased since we wrote our names on them.
When we look toward the courtyard, I remember having lunch with my best friend, Alia. We sat where I stand today, and with the same eyes I am using now, I once watched the third graders in the adjacent classroom with curiosity, amazed at how old they were. “I can’t wait ‘til we can buy lunch like the big kids,” I once told Alia.
“Yeah,” she would answer longingly, gazing at the plates of spaghetti while lethargically eating the yogurt her mother packed her every day.
My dad and I walk toward the cafeteria and look through the windows at the lunch tables. I remember that in fourth grade, I took advantage of my pre-paid lunch ticket. I often waited in line for seconds, immensely satisfied as the withered lunch lady scooped clumps of rice onto our trays. I used to take globs of rice and squeeze them in my hands so that each grain lost its individuality and oil rolled down my palms.
I take my glance away from the cafeteria and look at my dad. Aside from his shorter haircut, he doesn’t look much different than he looked twelve years ago. I, on the other hand, have changed from the five year old I once was, both physically and psychologically; a few years added to the life of a younger person comprises a much greater percentage to the ratio of years already lived.
I continue looking through the tinted window outside of the cafeteria. I’m sure my dad understands that I’m thinking about something, so he doesn’t say anything and instead walks a few paces over to the library. I remain still, and move my hand up and down, like a fan. I watch as my hand blurs into a trail of fingers. Then I imagine myself at different ages. I see a five-year-old clutching a Beanie Baby, and a first grader ripping an earthworm apart on the playground. An eight-year-old sits in the lunchroom under a large dome, craning her eyes upward to see projected constellations turning slowly and mutating against the tarp’s wrinkles. A fifth grader walks past me, more confident and resolute than the girl trailing behind her, the latter worried about her parents’ tardiness in picking her up and other things out of her control.
Then I imagine myself as separated into layers, each comprised of a different age and stage of life, like a Russian doll. On the outside I am seventeen, but if I look down I see a pair of tiny sneakers inside of my Converse low-tops. The ground I stand on now has been stood upon by these sneakers, worn by a girl who smiles in a class photograph kept inside a box somewhere. I can see her in my dad’s home videos. I use the pronoun “her” because when I watch these videos and see a toddler-version of me giggle or whine or sing, I am not sure if this person is dead or if I should view her as alive in myself now, part of what makes up my perspective.
As the children fade from the courtyard, I tell my dad I am ready to go home. When we drive away, Marin seems less immediate and less concrete, more quaint and picturesque with distance. Right before we turn, I see a child running up the stairs. I imagine her as Alia, and see myself running after her. And as my dad and I turn onto Solano toward home, I try and imagine the children before me who have climbed those steps. I wonder how many of them were the adults who hurried to work and stopped for a second to watch us play. Even as a child, I knew these grown-ups did not see us as we saw ourselves, but I felt too detached from their lives, lives governed by a clock that ticked faster than our own, to wonder what they saw. Now I know they weren’t looking at us just because they thought we were cute or charming. They looked for more selfish reasons, not seeing us as particular people but more symbolically. To them, we were shades of a different time, and depending on the person, possibly tinged with nostalgia or resentment or contentment. And today, I cannot reclaim myself from an old videotape any more than these adults claimed our silhouettes as holograms of themselves, projections of their own memories.
Posted in NJFP, Zoe | Tagged "time travel", "Zoe Pollak", Berkeley, California, childhood, Coming Back, Marin Elementary School, memories, new jewish filmmaking project, NJFP, nostalgia, retrospection | 1 Comment »
1. What role did religion play in your childhood?
2. What attitude did your parents have towards religion?
3. What was your stance on religion when raising children? Did you tend to lean either way?
4. What is your stance on religion nowadays?
5.[Pato(My grandfather)] Do you have any memories of Solomon Lowenstein?
6.(All besides Pato) What do you know about Solomon Lowenstein?
7. Did your parents ever talk to you about Solomon Lowenstein?
(Note that these are rough drafts, the first things that I have written. Jeremiah gave me some tips, but if anyone could help me in phrasing questions to provide useable material feel free to contact me)
Posted in NJFP | Tagged Alex, Change, Great-Great-Grandfather, interview, Jewish, Lowenstein, new jewish filmmaking project, New York, NJFP, Philanthropy, Religion, Roots, Solomon, Update | Leave a Comment »
Do you ever wonder why the world is the way it is?
Why some people have it off so good with mansions and Ferraris?
Why others are left to rot away next to gutters with feeling nothing except anger neglect and shame?
Walking through the streets of any town or city with my dad (San Francisco especially), we make sure that any homeless person throwing themselves out there for judgment, criticism, and rejection get a little of our time, money and respect. A specific example of the passion to start doing good deeds (mitzvahs) started at Jack in the Box. My dad and I went through drive through, (be aware this was totally random, I usually never eat any fast food especially Jack in the Box and especially with my dad), but today was a morning before Hebrew school and he wanted to cheer me up. We decided to live on the edge and buy some delicious “Waffle Dippers.”Big mistake…. we ate half of one and we were finished. We laughed about what a bad idea that was as we stopped at a red light. A homeless man was standing right outside the car and we were frantically searching for money and my dad ended up taking out a couple dollar bills and throwing them in this bag of still warm breakfast and giving it to the man. I will never forget the look on his face. Astonishment, shock, joy, appreciation. Our small amount of food (that would have been garbage) and our small amount of change (that would have gone to a parking lot meter) changed this mans emotions or maybe his day or maybe even his week. From then on I truly decided that the simple things were what really mattered to me. If I couldn’t fix everyone’s problems I might as well start with one homeless man at a time and it was completely worth it for the little amount of effort I needed to put in and for the refreshing satisfaction if gave me each time after that.
Do you wonder why or how so many people everyday are able walk by these poor people, these sad misunderstood human beings who work up everything they’ve got every day no matter what tragic state they are in to ask us to spare an insignificant amount of money or food that is meaningless to us, basically our GARBAGE just to have their dignity slammed right back in their faces while hundreds of people run by without even a glance?
Can people not even bear to look a homeless man straight in the eyes because of the overwhelming amount of guilt lingering before them?
Or are the homeless just not even worthy of their presence, or worthy of their eye contact?
These are the questions I think to myself everyday as I pass hundreds of people completely oblivious to those around them every day. It makes me sick.
This boiling rage that I have growing inside me and keeping me aware of these small selfish acts people are committing all the time is the same inner rage that my uncle Andy had.
Out of all the stories of Andy that my dad has told to me throughout the years one story stuck out to me in particularly because I was now beginning to sense the blood relation between us and started to get a grasp on the kind of man he was.
This story started out at Berkeley College. Andy loved Berkley, and as many know Berkeley is also well known for having an amount of homeless people on the streets. Being the kind of person Andy was, he developed a relationship with one homeless man in particular. Every day as he would head to and from his dorm he would give this particular man all the spare money he had on him at the time. They would have some conversation here and there and after a while became quite genuine acquaintances. One day Andy invited him up to his dorm. He let him stay in his dorm for a while; he clothed him, fed him, and listened to him. He was able to learn all about where this man came from and how he ended up the way he did. This certain story was extremely touching to me, Andy taking the small acts I try to do every day one step further.
I reflected upon this with my dad and listened to his outlook on his compassionate brother. “He wasn’t afraid to befriend people who were different and people who were not necessarily even on par with him. He rarely looked down on people and when he died some of the people who were most upset at his funeral were the people who have had the most tragedies in their lives and recounted Andy as someone who would help them through it.”
This story inspired to take the extra step. Going through San Francisco not only do I make sure to give them my spare change, but my spare time as well. My great grandma Rose used to say “Listening is the greatest gift you can give a person.” So I’ve made it my mission so spare some time, some change, and some listening in homage to Andy and because all the little things really do count.
Posted in Mayana, NJFP | Tagged guilt, homeless people | 6 Comments »
The summer I was eight years old my dad and I drove across the country. It was a journey of epic proportions. For the first time in my life I had my pops all to myself, and with miles of open road flying past the window we were comfortable in our mustard yellow Thunderbird, singing along to the Beac
h Boys and eating French fries as it pleased us. When we made our way east to South Dakota I remember marveling at Mitchell’s claim to fame, the corn palace. The time we spent in my dad’s hometown was short and in truth superimposed with some fuzziness. I wish I could say I remember every second of it- but indeed my memories are limited to just a few sharp moments. To the dark and somewhat damp safety of the family fabric store- being told I could have my pick of the many pieces of lace fabric that would serve as my much needed dress up clothes for the rest of the journey, to sitting in the hot tub of the hotel feeling the bubbly contrast of cold soda as it slid down my throat, and to peering shyly at my Uncle Simon as the two brothers spoke behind mostly closed doors and I waited in the living room of their childhood home, not knowing the worth of that space, not knowing all that those walls had witnessed. Already I have begun to fill in some of the gaps between those memories. Call it a vivid imagination, but I have always had a talent for creating memories based on photos or stories told to me- I can’t resist this human instinct to make my narrative more fluid.
Like the Rabbi involved with the interpretation the Torah, I have begun to take a closer look at what I “know” (or think I know), what I don’t know, and I have been creating my own Midrash, an interpretation, in the hopes of transforming this fuzziness into meaning. Perhaps because Jews are the “people of
the book” time and time again we look to our history as a people (recorded, oral, imagined) so that we might learn about how to live in our contemporary world. In following this precedent I want to look at our more recent family history to help me to find my own way. “Le’Dor va Dor” (from “Generation to generation”) is a reoccurring theme in Jewish practice. We are constantly looking from where we came, seeking out what is to be learned from our past, and telling and re-telling our stories.
As I am growing older, 23 and out of college, having seen more of the world than ever before, even having a bit of history myself, I have grown to value the family history that I have been told. However, I find myself wishing that I had asked more questions, paid more careful attention when those stories were being told to me. I feel like I want to know where I came from. I’m wondering what experiences are unique to our family? How has that difference helped to make us, and then me who I am?
For a long time I have been thinking about our family. I have been wondering about Sam and Edith, our grandparents/parents and about the realities of what it was like for all of our parents to grow up in Mitchell, South Dakota. Our family has many stories. Perhaps you have been at a family gathering and have heard some brothers reminiscing about that time they had to walk up hill in the snow both ways to get to school and back, how in the summertime the boys used to all sleep out on the porch or that winter my pops was dared to stick his tongue to a telephone poll and ending up getting stuck- having to pour hot water on his tongue before ripping it off. There are also stories of Sam’s trip to the US, of what he did upon arriving in San Francisco and how he made his way to South Dakota. Then there is the story I’ve only heard more recently of Edith’s father, and how he homesteaded by Chamberlain on the Missouri river then traveled to Sioux City, Iowa to meet up with wife and family there.
For as long as I can remember I have had these stories in my head and they serve as clues as to who my ancestors were, where they came from and ultimately, who I am. These clues are the shards of identity that form who I am…the grandchild of Russian immigrants, the daughter of a first generation South Dakotan, a Jew. However it is not enough, I feel incomplete…There is so much that I don’t know and I am asking you to please help me find out where I came from so that I can move into my future with a more solid sense of who I am.
It is important to me to ask questions now. I know that each of you has your own memories and thoughts. I feel the need now to find out about our shared past. I am afraid that if I don’t ask questions now I will loose my chance and everything will fade away.
What I want you to understand is that each of you has something to contribute to my endeavor, whether it is through memories, thoughts, or stories passed down from your parents. I want to hear it all, to immerse myself in it…even the most mundane details delight me!
With this email I want to reach out to you and let you know of my desire for connection with you and with our rich family history.
Please let me know what you think about all of this. How would you feel about sharing more with me about your and about our pasts? I would love to talk to you about all of this and if nothing comes out of this but us getting to know each other better then, Dayenu (that would be enough)!
Much Love,
Hannah
Posted in Hannah | Tagged corn palace, Dayenu, family, history, know, soak up, Thunderbird, witness | 2 Comments »

By, Jason Zavaleta
It’s time to elaborate.
As I mentioned in “The Beginning: My Side”, I got into a relationship a little over two years ago. A relationship that would change the way I see the world, and help allow me to define who I am today.
Alex was her name, and she was special. When we first met, almost five years ago, I looked at her, and said to myself that I would be with that girl one day. After a falling out of our one year of friendship, my hopes were crushed as she became silent and turned away. It was only a year later when I asked her to be in my first high school film. I remember
the conversation being a quick and quiet one. I asked and she agreed. She agreed, then a little spark lit up inside me. Was it because she would be talking to me again, or because I could now make my film? I think it was definitely a little of both.
After filming was over, she and I continued to talk via email. I remember each day, the one thing I looked forward to was to come home after school and sit and wait until I got a reply email from the previous day. Day after day, we’d write. Before I knew it, my birthday was coming up. I wanted to do something special, and what a better idea than to spend it with Alex. We got out of school on my birthday, took a walk in the sun to the smoothie shop downtown, then walked out into the wide open spaces at the edge of town. Video camera in hand, I had a point of view record of that small hike. “What should we talk about today?”, I asked. She laughed. And with each laugh, came a smile and a glance. By the time we reached the small mountain peak, our laughs and smiles were free flowing and absolutely wonderful.
We sat in the grass. We talked about life, about our beliefs, how we look at the world, and I explained my dreams of becoming a film director so that I could use my talent in the arts to bring change and improve the world. As I sat and spoke to her, our hands and arms molded into another. We sat in silence, embraced. “What is this?”, Alex asked. “This”, I said, “Is unexplainable”. That unexplainable feeling for the next couple of months, developed into what we call love.
Shortly after we got together, her birthday came around and I wanted to do something special. After much thought and planning, I asked her parents to take her out the morning of her birthday while I would go into her room and set up a surprise scene. I placed a camera in the corner, and waited. The look on her face was priceless.
Day after day we’d spend time together. She’d come to my place, and I to hers-months we spent getting to know each other better and better. Each night I’d sit, thinking about her, how we’d be together forever.
As I struggled to figure out who I wanted to be before I finished high school I thought Alex would be my support. I’d sit in her room and cry, telling her about how I wanted to give up on school, on films, on life. “No” she’d say as she looked at me with those fairy eyes and eased my pain with a few calming words and a gentle kiss. Despite my efforts, my youthful dreaming couldn’t endure. Like everyone, we had fights. From the smallest thing like a phrase said in the hallway during a passing period, to the broad and complicated problems with our very different families. Sometimes I felt like she was breathing down my neck, and I’d get irritated. I wanted to be free from my parents, it didn’t help when I wanted to be free of Alex too.
Our relationship dissolved over a month period from November to December 2008. Stressful complications of my final year in high school along with the death of my grandfather blinded me. I stopped listening to my heart, and ignored her. Soon, she couldn’t take it, and we had to separate. After almost two years of laughs, joy, hours of talking, and more, it was over. In a matter of seconds. To this day, I regret losing control, and all I can do now, is recall those happy memories.
I will always remember the smile on her face, News Years eve, 2007 as we stood with my father on the balcony of the Claremont Hotel. A smile full of love, compassion, and tenderness. A smile that burned it’s way into my heart, where it, and she will have a home, forever.
Posted in Jason, NJFP | Tagged Alex Renirie, Birthday Surprise, Jason Zavaleta, Love, New Years, NJFP, San Francisco Sunset, Steven Spielberg, Sunset | Leave a Comment »
As you may or may not be able to tell, this blog is ultimately about the idea of survival. Not like, the guys who stockpile gold and ammunition while living off of Twinkies and deer urine. No, this is a more philosophical idea of survival, focusing on the survival of humanity as a whole, rather than on the survival of individuals. At the same time, however, the survival of the whole relies on the survival of the individual, and that’s what I’m going to talk about here.
I, like many red-blooded Americans, have put a lot of thought into what I would do if there were some sort of zombie-based apocalypse (more on that in my next post). Would I be able to grow my own food? What would I do for water? How about electricity? Unfortunately, I’m pretty sure the answers are no, nothing, and no way. The fact is, every generation builds using the tools of the previous one, and as a result we get further and further removed from understanding how things actually work. Take, for example, the car. Back in the day, it was a collection of gears and pistons that you could fix with your bare hands; now it’s hydraulics and electronics that require advanced equipment to repair. Frankly, if anything ever breaks, my only solution is to Google it, and without Google, I’d be SOL.
Contrast that, for example, with my grandparents’ generation. My grandfather moved here from Russia when he was 9. After finishing middle school, he began working full time to support his family. And, by the end of his life, he was a millionaire (or at least pretty damn rich, I don’t know his exact net worth). If I were dropped in some foreign country where I didn’t speak the language, I’m pretty sure my response would involve a lot less thriving and a lot more fetal position. In addition, both of my grandparents fought in World War II; meanwhile, I spent a weekend getting really good at Call of Duty. In addition, my mom’s uncle fought in the Spanish Civil War, which contrasts nicely with the fact that I’m reading a book about it. The point is, these people kept their cool while staring down hails of gunfire, while I start freaking out if I go a day without my cell phone.
However, it’s not all bad news. The fact is, none of these people were born that way. I mean, my grandfather wasn’t some mini survivalist when he emigrated to Ellis Island. However, he was thrust into a bad situation, and he dealt with it, and grew stronger because of it. Similarly, I’m pretty sure none of these people had been shot at before entering the military, but, you know, you get used to it. And that’s where we as humans really shine: we can adapt to pretty much anything. But at the same time, it can’t hurt to be prepared.
Posted in Adam, NJFP | Tagged generations, grandparents, survival | 2 Comments »
Leonard and Susi were extremely young when they married—Susi 20 and Leonard 23. I believed that provided a sort of justification for his affairs: in order to ground themselves in a relationship a young person may feel the necessity to branch out, making up for missed experiences. However, my father feels this excuse of age justifies him too much. He feels there are some who naturally crave comfort in women—that there is no reason for it. I wasn’t satisfied with this answer—this aspect of Leonard’s personality seemed too random amidst what I know of our family. Leonard—to me the “head” of our family, who embodied it in so many ways—was simply a person, but now too shrouded in mystery to understand. The mystery is made in my mind; I’m unable to penetrate snippets of information fed to me. In my mind he is stuck in the middle… the single person standing apart from our easy-natured family and a voice I have no access to. I really appreciate the letter of his, to Susi, the letter I for some reason had not connected to this tumultuous period in their marriage when she had bolted the country, furious with him and his affairs. I am thoroughly confused with the stories of his affairs—their randomness obscures the side of him that does come across in our family: the compassionate generosity and jovial strength.

Adding to my confusion was my father’s reaction to it—which seems to have consisted of nothing. He was not surprised and felt it wasn’t his business. I have a very close relationship to my parents so if placed in that situation I would have felt that it was very much my business. I suppose the size of my father’s family distanced the four brothers from their parents and increased their independence, if they liked it or not.
My dad believes Leonard was creative in a large-scale way, with no limits. He says, “creative people are a certain way, they’re sort of wild, they’re not good at details.” Leonard constructed The Cannery with an artistic temperament, tearing things down if he didn’t like it. “No business person in his right mind would do a thing like that,” says my dad, referring to the initial construction of The Cannery, which posed major

financial problems upon being set in motion. And although Susi painted and wrote and engaged in artistic activities, my dad says she painted in a careful sort of way, needing a lot of feedback. When Susi read a book she read for the details, where “Leonard would dismiss it as blah blah blah and he might be right”. However, my dad felt Susi was extremely creative with people: in her encouragement and nurturing, which may perhaps be more profound.
Leonard was all over the place, messy, as a creative person. His affairs may have reflected that in a negative way. My dad used to say that often sensitive and creative people are a bit self-destructive. This may have been a weakness of Leonard’s: his insecurity or necessity for comfort induced a harmful practice.
Posted in Yenny | Tagged comfort, creative, justify, messy, New Jewish Filmaking Project, NJFP, stand apart, Yenny Martin | Leave a Comment »
The similarities with my dad are endless but what about Andy?
I feel all these similarities with him through stories, other people, photographs yet why?
How does this make any sense?
Where is this unusual quick subliminal connection coming from anyway?
In some ways like his love for travel, a stimulating conversation, a nice long run, and our love for Israel, are random passions we share as well as my dad and my brother. In other things we share like appearance and family, it seems very eerily genetic. Watching my dad’s relationship with him through stories and photographs, my dad as the protective and intellectual older brother is not surprising to me at all-seeing how my brother is the complete definition of the smart, protective, mature older brother. The funny coincidence is, Andy was known to be quite the extroverted, eccentric, hand full that I am known to be in my crazy little family.
My brother has been an intelligent influence on my life, encouraging me to focus on my studies and use proper grammar 24/7 always correcting my “I talk goods” to “I talk wells.”
In a way I feel like I have influenced him in many ways. Israel for example, was never an interest to him, his entire religion never interested him actually. My passion in Judaism totally surprised him since I used to join him on our usual “prison school” rant about hebrew school all the time. It turns out my love and for our people and our country is contagious because before you know it Adin is telling me the only way he will go on this month-long Israel adventure is if I am going. So, Adin and I trekked out on our voyage during the summer of 2009 and created life long-lasting memories and bonds with people never to be forgotten.
This brotherly bond reminds me of my dad and Andy. Since my dad and Adin are similar in the older brother role, and Andy and I share our similarities as the younger rascals I am not surprised that they both connected and bonded in Israel as well. Knowing these things, and experiencing these connections with my family, Adin, other kids around the world has opened my eyes to many things, one of the most important being to never to take my brother for granted. Learning about Andy and my dad already has and will keep teaching me so many englightening wonderful things.
Posted in Mayana, NJFP | 1 Comment »
Soooo here’s a little, shortened down glimpse into my me and my dad’s wacky relationship…
We kind of have a lot in common, including giant late afternoon sunny summer eggs and bagel breakfasts after a nice run on the mountain.
We wrestle, play in the garden, order the same “pablo burrito” at Hi-tec every week, and debate the amazingly complicated psychologies of the human mind together.
Besides our shared interests we have our shared dumb jokes, cackle laughs, and bubbly personalities. I can’t help but wonder what part Andy plays in all this. Most people wouldn’t think twice about the bond with their parents and think about their aunts and uncles play in the relationship. I think this is because since most people no their aunts and uncles, they find know reason to wonder about the influences they have on each other; it’s almost obvious.
I never thought I would be discovering me and my dads relationship and finding out how that relates us to his brother Andy but the more I think about it, and the more I discover about him, the more his impact on us is obvious to me and the more I want to find out…
Posted in Mayana, NJFP | Leave a Comment »
Posted in Corey, NJFP | 1 Comment »
At my last meeting with Jeremiah Moore, we sceduled out a workplan, deciding when to begin production and post-production of my project. As of such (And because the quality is rather bad) I have decided to not edit the interview of my grandpa that I’ve been sitting on. We’ve decided that production will begin mid-december, so until then I’m at a loss as to what to post. If anyone has any ideas please feel free to comment on this video or contact me otherwise.
Posted in NJFP | 1 Comment »
Chicago has always been a tough town, and those near the seats of power often hear things they’d rather not. My distant cousin, Illinois State Senator Sam Ettelson, was no exception. According to Marjorie Warvelle Bear’s A Mile Square of Chicago, he was born in Chicago on November 19th 1874 to Benjamin and Flora Ettelson. His mother was an immigrant from Germany, and his father was from Poland. Sam rose through the ranks of Chicago society first as a prominent lawyer, then a Senator, and then Corporation Counsel for the city of Chicago. It was under these auspices that he became right-hand man to Chicago Mayor William Hale Thompson, better known as “Big Bill,” and even better known as one of the most crooked mayors in the history of this country. Such cheery events such as the Chicago Race Riot of 1919 and the St. Valentine’s Day Massacre occurred during Big Bill’s tenure. When the Mayor hit the drink a little too hard, he would hand the reins over to my cousin, and Senator Sam Ettelson would essentially be in charge of Chicago for the night. Big Bill Thompson was driven out of office once in 1923, but ushered back in with the help of his buddy Al Capone in 1927.
In those in between years, my cousin Sam would become unwittingly embroiled in what would become known as the “Crime of the Century.” I had always known the story of Leopold and Loeb, the two young men who mercilessly murdered a young school boy named Bobby Franks. It has been the basis for countless films, plays, and books—most notably Hitchcock’s experimental thriller Rope. What I didn’t know was my family’s involvement in the mystery. The parents of the young victim were Jacob and Flora Franks, a Jewish family that had renounced their faith to become Christian Scientists. They were also close, personal friends with Sam Ettelson. When the Franks received a ransom note from Leopold and Loeb, notifying them that they had Bobby, Ettelson was called on to handle the affair. Senator Sam knew the Leopold family and was a mover and a shaker in the Jewish Community of Chicago. Sam called on his contacts in the Chicago police department to try and sort things out. But by that point it was too late. The ransom note had only been a cruel ruse. The boy, Bobby Franks, had already been found dead. After years of public service, the legacy of my distant cousin Sam Ettelson will forever be defined by his involvement in this bizarre and tragic episode of Chicago history.
Leopold and Loeb
Posted in NJFP | Tagged Al Capone, Alfred Hitchock, Big Bill, Big Bill Thompson, Bobby Franks, Chicago, Leopold and Loeb, Race Riot, Rope, Saint Valentine's Day Massacre, Sam Ettelson, Senator Sam Ettelson | 1 Comment »

by Zoe Pollak
From a young age, I have always wanted to time-travel. When I read books, I not only imagine myself in the place of the characters, but picture my life in the pages’ long-passed histories, a Zoe plucked out of today and teleported to 1760s Europe, 1850s South, or 1940s nuclear America. When I watch black and white movies, I long to travel to the forties, a time when Cary Grant flashed his dazzling smiles and candy cost a penny and everything seemed so much more simple.
I’m fairly sure I can place my scientific interest in time travel to my junior year of high school when I started getting several hours of homework every night. I’d sit at the computer screen and procrastinate from my essays by reading science articles theorizing the possibilities of time travel. I mulled over the grandfather paradox for more than an hour one night, imagining what would happen to me if I went back fifty or sixty years in time and prevented my grandparents from meeting. If I succeeded, would I slowly fade from every photograph with me in it, like Marty in “Back to the Future”? If I’d been actually able to kill my grandfather, would I die the moment he did? Questions like these entertained my imagination for the better part of last year as ways to escape the ever-present awkward age of high school. As I traversed the pages of Steven Hawking’s ideas concerning parallel universes and listened to YouTube clips of Michio Kaku talk about pretzel-shaped worm-holes, I wanted more than anything for the possibility to go back to my childhood and appreciate what I had taken for granted.
But eventually I had to acknowledge a paradox equally mind-boggling as the scientific conundrums attached to time travel: if I could somehow find a way to go back in time to the streets and houses of my childhood, not only to observe the events of my life fold out again before me , but to actually take the place of the five-year-old who is now nonexistent (but remains fragmented, encapsulated in my memory), I’d be too precocious for childhood’s innocence. I’d be an extremely stressed-out child, petrified with worries about the future and unable to function.
While climbing the back of the Lawrence Hall of Science whale or creating patterns in the woodchips of the Berkeley Jewish Community Center, I wouldn’t be able to live in the moment. Even if time travel were possible, my brain has developed too many circuits that frenetically wind around each other in order to go back to the childhood I so fondly remember.
And then there’s the issue of nostalgia. My mind has blocked out most of the excruciating, annoying, and agonizing events of being a kid. When I look back and try really hard to remember more than the just the positive aspects of kindergarten, I start to envision a little Zoe, terribly frustrated at not being able to express herself when she didn’t have enough words to sound astute or credible. As a kindergartener, I was perplexed at my mother’s sarcasm and puzzled by my father’s quietness. Cursive baffled me, as did fast typists. I wanted so much to be able to sit in the front seat, but had to sit in the back because of the air-bag hazard. Little dissatisfactions like these were, I’m sure, foremost and pressing in my five-year-old consciousness.
Nonetheless, when I get home from school with six or seven hours of homework due the following day, I still wish I could shrink and flatten myself out so that I could enter the photographs of my elementary school days, where my vivacious friends and I exist frozen, mid-smile, mid-laugh, mid-sentence, embalmed in two dimensions.
Posted in NJFP, Zoe | Tagged NJFP, childhood, "Zoe Pollak", "time travel", nostalgia, new jewish filmmaking project, Berkeley, California, Cary Grant, Back to the Future, Michio Kaku, Steven Hawking, wormhole, Lawrence Hall of Science, LHS whale, Berkeley Jewish Community Center, JCC | Leave a Comment »


















































the opening of The Cannery, Leonard enjoyed press and celebrity, a diplomatic hambone and entertainer. He was a character and very rarely timid, even in his own creation of shocking situations: yelling at waiters, pushing aside (in a tipsy state) old folk waiting for a cab, opening champagne so that the cork nearly skimmed an ear in its flight across the room. That part of him must have come across in my father, and me, in some way. In my father I see traces of Leonard—at times a mischief-maker with a fiery temper. But his general personality follows that of Susi’s—floating and modest. But it seems my grandfather also gave him his idealism and hyper-sensitivity. Leonard’s uncle, Peter, was extremely shy and self-conscious—Russian traits, so my dad says. My father says I have “barbarian” on both sides of my family: from Leonard and from my mother’s Mongol father.











